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Adding a "new" book!
(News & Updates/New Articles)
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Dear User,Here is the beginning of a new book "Perspectives on Figure Modeling," which I started writing 30 years ago. I'll plan to post other chapters later. Please send me your suggestio
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01 Dec, 2011 |
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Drawing People Whole:The Artist-Model Relationship
(Perspectives on Figure Modeling/Drawing People Whole:The Artist-Model Relationship)
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Western art typically distinguishes between portraiture and figure drawing. The model-artist relationship would benefit greatly - for justice, for purity, for respect, for human understanding, for com
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30 Nov, 2011 |
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Two quotes, a comment and a riddle
(News & Updates/New Articles)
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“Beauty Rules,” from a Lord & Taylor ad in the NY Times. I think that beauty knows better than to rule, because in ruling it ceases being beauty.“There is a lot of anger in love someti
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15 Jun, 2011 |
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Modeling and Sexuality (2)
(News & Updates/New Articles)
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When I first started modeling, I did it in
answer to a dare from models and artists in my Hoboken (NJ) drawing
group that I would find it too embarrassing. I shared this worry, but I
also
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15 Jun, 2011 |
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Drawing People Whole: Portraiture vs. Figure Drawing
(News & Updates/New Articles)
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Figure drawing is drawing people as people are; portraiture is drawing this person as this person is. Figure drawing specializes in what is generic, portraiture in what is specific. Portra
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15 Jun, 2011 |
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Modeling and Sexuality (1)
(News & Updates/New Articles)
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Many people are concerned about modeling and sexual expression. For
many years I worried about this, even after I started modeling, and I
still recognize it, in myself and in others, as a
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15 Jun, 2011 |
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Fondness Over Time
(News & Updates/New Articles)
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In the last article, I wrote that “fondness is key.” To some people we are attracted immediately; with others, fondness—even intense fondness—develops, but only over time. Initiall
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15 Jun, 2011 |
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Modeling and Life-drawing: Fondness is Key
(News & Updates/New Articles)
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One of the things I have felt since I first began drawing people, and then modeling for them, is that I do best when I am fond of the people I am working with. I want to be able to admire them,
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15 Jun, 2011 |
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Modeling for Miniatures
(News & Updates/New Articles)
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...e of a sculpture and maintain its intensity? When I am making more than one sculpture based on the modeling of the
same person, I must also make sure that I find the real similarities and
re
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14 Jan, 2011 |
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“I Feel Pretty”
(News & Updates/New Articles)
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It seems reasonable to suppose that most people who choose to model for artists begin with a feeling that they are worthwhile to look at. This is true, but not necessarily in a way that is evide
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14 Jan, 2011 |
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Real Relationships
(News & Updates/New Articles)
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...
them, we wouldn’t be ourselves. I feel the same way when I see the
finest kind of artist and model relationships, both to each other and to
people who work with them. St. Paul tell
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14 Jan, 2011 |
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Poems to Model With (1)
(News & Updates/New Articles)
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When I model, I like to put as much of me as I can into the artist-model relationship – so I like to put talking and/or singing as part of the mix.While this may not be appropriate in a studi
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06 Jul, 2010 |
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Recognize and Remember
(News & Updates/New Articles)
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There are two things that I want to stress in working with models, and I think that both are important. I want to recognize people when I have seen them before, and I want to remember the
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06 Jul, 2010 |
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Teaching as Delight (3)
(News & Updates/New Articles)
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...myself is the commonest way of being, but it’s also the only way
in which I can be new. I find modeling a special “how” for all of this
at once. Drawing people nude can have this
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06 Jul, 2010 |
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Teaching as Delight (2)
(News & Updates/New Articles)
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I have worked with many subjects, and with many students, from nursery school into graduate school. As I have studied “teaching people,” I have learned that the “who-being-tau
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06 Jul, 2010 |
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Teaching as Delight
(News & Updates/New Articles)
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I got my first assignment as a teacher when I graduated from high school at sixteen years old and was asked by my pastor to prepare a ten-year old girl for her first communion. I wa
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06 Jul, 2010 |
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Modeling for These Artists
(News & Updates/New Articles)
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... wrote: “I am not sure what would motivate someone to participate in a workshop program based on modeling for art as the theme.” To me, the theme is more accurately described as “mod
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06 Jul, 2010 |
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Naturists proved especially good as models
(News & Updates/New Articles)
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Naturists, or people who practice a clothes-optional lifestyle, proved especially good as models (this comfort I had learned only after long practice), because we did not need clothes to make us comfo
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06 Jul, 2010 |
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Poems to Model With (2)
(News & Updates/New Articles)
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The third poem is one I especially like to use when posing along with a person I am particularly fond of. I have used this working with several different people in different situati
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06 Jul, 2010 |
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Real Relationships
(News & Updates/New Articles)
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...
wouldn’t be ourselves. I feel the same way about what I see as the
finest kind of artist and model relationships: one where artists and
models are fond of each other, and display t
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06 Jul, 2010 |
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Presentation
(News & Updates/New Articles)
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Very often I have heard people say that to model, all you need to do is take off your clothes and be there. I think that modeling especially involves self-presentation. We need to address o
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06 Jul, 2010 |
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Three Practices Together
(News & Updates/New Articles)
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In my own experience, I have put three practices together: life drawing, figure modeling and giving workshops in both. I can work best with any of these when I am working with all three, c
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01 Jul, 2010 |
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Life-Modeling as a Business and an Art
(News & Updates/Life-Modeling Workshop)
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Life-Modeling as a Business and an Art: Workshop Description For many years, people who work as models for artists and for artist groups have been expected to rely on self-training.&
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29 Jun, 2010 |
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Workshop Schedule
(News & Updates/Life-Modeling Workshop)
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...sp; • Life-drawing in art
• Who “should” model • Models’ rights • &nbs
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30 Apr, 2010 |
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Introduction to the Web Edition
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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...ere places where I might need to update it. A lot has happened, in fields related to art, to modeling and to publishing over the last twenty years, and it would not have been surprising to
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30 Jan, 2010 |
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List of Illustrations
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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...age 6
Some Don’ts, Page 14
Professional Suggestions, Page 19
Professional Suggestions, Page 20
The Modeling Business, Page 26
Advancement in the Field, Page 30
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30 Jan, 2010 |
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Acknowledgements for Original Text
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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Many thanks to models, artists, and teachers who have worked with me, and who have provided information and inspiration for this booklet. I particularly thank Jenny McNamara, who has worked with me f
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13 Jan, 2010 |
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Actual Income Calculator
(Original Modeling for Life Drawing Manuscript/Appendices)
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Use our Actual Income Calculator to calculate exactly what your hourly income is on a job, after travel time and expenses.
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13 Jan, 2010 |
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Website History
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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This website is the online development of a 1988 self-published book/pamphlet by Hugh Kilmer entitled Modeling for Life Drawing.
The work was first written in 1973, by a group of models and
art
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13 Jan, 2010 |
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Model Release Form
(Original Modeling for Life Drawing Manuscript/Appendices)
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We offer a simple Model Release Form (PDF Format) for your use.
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13 Jan, 2010 |
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The Artist-Model Relationship
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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Standards for appropriate relationships between artists and models
are usually expected to follow the first approach described above:
models and artists are advised to maintain a "professional" dist
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13 Jan, 2010 |
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Model Evaluation Form
(Original Modeling for Life Drawing Manuscript/Appendices)
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We offer a simple Model Evaluation Form for Artist/Moderators (PDF Format) for your use.
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13 Jan, 2010 |
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Preface to Original Text
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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...ng, as it proved primitive society's
consciousness of itself. Primitive peoples used the most splendid
model to make their images: their own enigmatic and complex bodies.
The archetype of the mod
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13 Jan, 2010 |
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Life Drawing
(Original Modeling for Life Drawing Manuscript/About Modeling for Life Drawing)
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...ls discomfort, and even guilt, at the nakedness (including
especially the open sexual character) of the models. Drawing people
does offer good practice, and it is very difficult to do well;
apples,
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13 Jan, 2010 |
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What if/when you decide to stop being a model...
(Original Modeling for Life Drawing Manuscript/Appendices)
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...o be very disappointed.
B) Expect to miss it yourself; leave yourself reasonably open
to occasional modeling in the future, for people you really
like.
C) Maintain social contacts with model
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12 Jan, 2010 |
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Artist Evaluation Form
(Original Modeling for Life Drawing Manuscript/Appendices)
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We offer a simple Artist/Moderator Evaluation Form for Models (PDF Format) for your use.
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11 Jan, 2010 |
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31. Practising Together
(Original Modeling for Life Drawing Manuscript/Advancement in the Field)
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Modeling is a performing art; usually it is a lonely one. As withacting, singing, and dancing, however, it can he improved by groupattention. Even solo performers work with teachers, do recitalstogeth
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20 Dec, 2009 |
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30. Forming a Group
(Original Modeling for Life Drawing Manuscript/Advancement in the Field)
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Artists are more likely to call on a model when they know you canbe reached, and are sure to turn up yourself, or arrange for asubstitute, if you aren't available. Get in touch with other models;make
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20 Dec, 2009 |
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32. Social Contacts
(Original Modeling for Life Drawing Manuscript/Advancement in the Field)
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Modeling brings a person, naked, into public contact with otherpeople, all of whom are clothed. The discrepancy between clothednessand nakedness sets up an artificial separation which tends to beconti
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19 Dec, 2009 |
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28. Finding Modeling Assignments
(Original Modeling for Life Drawing Manuscript/The Modeling "Business")
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A) The easiest way to become a model is to make an appointment with deans or directors of art schools. Bring with you a resume and portfolio, if you have them prepared. If you alread
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18 Dec, 2009 |
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27. Interview
(Original Modeling for Life Drawing Manuscript/The Modeling "Business")
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...n and how will thatpay be provided (cash, check, once a month, at the session,and such like).B) Is modeling to be totally nude, or may you be required towear a posing strap (male G-string) or a
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18 Dec, 2009 |
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26. Portfolio
(Original Modeling for Life Drawing Manuscript/The Modeling "Business")
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After you have started modeling, ask artists, photographers, andstudents whose work you particularly like to let you keep one or twoof the studies they make. Put these studies together in a larg
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18 Dec, 2009 |
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25. Resume and Business Card
(Original Modeling for Life Drawing Manuscript/The Modeling "Business")
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A) Prepare a resume slanted toward modeling assignments. Thisresume should stress your education and experience inperforming and in people-related activities. It shouldstress skills
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18 Dec, 2009 |
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22. Clothes and Accessories
(Original Modeling for Life Drawing Manuscript/Accessories)
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A) A model's clothes provide warmth, comfort, and (for manypeople) a feeling of security, between poses, and provideaccents during poses. An ankle-length robe can often beuseful for all th
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18 Dec, 2009 |
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20. Practicing Poses
(Original Modeling for Life Drawing Manuscript/Professional Suggestions)
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...ry useful tool forpeople practising any kind of pose; it helps you be aware of how youcome across. Models often pose in front of a group rather than inthe middle of it. Even so, it i
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18 Dec, 2009 |
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18. Who Should Not Model
(Original Modeling for Life Drawing Manuscript/Some Don'ts)
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A) People who can't find a way to enjoy modeling should notmodel.B) People who can't get comfortable with nudity should notmodel nude.C) People under sixteen should not model except
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18 Dec, 2009 |
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17. Burnout
(Original Modeling for Life Drawing Manuscript/Some Don'ts)
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Models often leave the profession after very few months oryears. As ordinarily practiced, the profession is thankless andlonely. It is usually better to stop before you get bored and angry
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18 Dec, 2009 |
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16. Where Not to Model
(Original Modeling for Life Drawing Manuscript/Some Don'ts)
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A) Don't model at a place so far from home that travel isextremely time-consuming.B) Don't model in your immediate neighborhood, unless you arecomfortable with being recognized as a model.
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18 Dec, 2009 |
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29. Financial Records
(Original Modeling for Life Drawing Manuscript/The Modeling "Business")
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For two reasons, it is good to keep track of income and expensesrelated to modeling assignments.A) To make sure that records are straight for tax purposes.B) To make sure that your modeling assignment
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18 Dec, 2009 |
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13. Group Poses
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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Some models are asked to pose nude with other people. As in thecase of photography sessions, the situation should be arranged aheadof time, and may be refused, even then. At the very least
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18 Dec, 2009 |
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10. Models and Artists: Terms of Address
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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To safeguard their privacy, models are often addressed by firstname only. Models can follow the same system in addressing artistsand group leaders (e.g. instructors). To increase recogniti
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18 Dec, 2009 |
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8. Breaks and How to Use Them
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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... There should be a short break (about five minutes long),every twenty minutes, to help artists and models toconcentrate properly, to change position, and to get afresh perspective.B) It is
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18 Dec, 2009 |
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24. Other Things to Bring
(Original Modeling for Life Drawing Manuscript/Accessories)
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..., a comfortable seat cover, a drape, ablanket, a furniture protector, a hair cover, and so on.B) A model-release form (several, if several photographers maybe present).C) A piece of chalk
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18 Dec, 2009 |
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23. Glasses, Jewels, Body Hair, and Other Decorations
(Original Modeling for Life Drawing Manuscript/Accessories)
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Getting undressed for modeling is very different from gettingundressed for taking a bath or for going to bed. "Costumes" reveal,accent, and conceal; the modeling costume - nakedness - is designe
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18 Dec, 2009 |
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21. Furniture and Appliances
(Original Modeling for Life Drawing Manuscript/Accessories)
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...warm enough, put on a few clothes for posing: things will change.B) There should be a wide, sturdy model stand, with a soft rugon it. This brings the visual and mechanical center (thepubic
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18 Dec, 2009 |
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19. Types of Poses
(Original Modeling for Life Drawing Manuscript/Professional Suggestions)
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...by artistsfor studies in foreshortening, action, and "character".These serve well as "warm ups" both for models and forartists, and can offer excitement and variety not possiblein longer poses.B) 
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18 Dec, 2009 |
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Time Out!
(Original Modeling for Life Drawing Manuscript/Time Out!)
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...sfying. The following sections ofthis pamphlet carry on, following the spirit of adventure, to makemodeling the satisfying profession that it must be to fulfill itspurpose: its role in art.
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18 Dec, 2009 |
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15. When Not to Continue With an Artist or Workshop
(Original Modeling for Life Drawing Manuscript/Some Don'ts)
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...e event tothe police, if it is serious. This reporting is yourobligation to yourself, and to other models.Situations like this are very rare, but they can arise. Everymodel should be aware
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18 Dec, 2009 |
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14. When Not to Sign a Model Release
(Original Modeling for Life Drawing Manuscript/Some Don'ts)
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Do not sign a model release:A) If the photographer and a witness do not sign also.B) If you are not provided with a copy of the signed release.C) If you are not convinced that the ph
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18 Dec, 2009 |
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12. Unexpected Visitors
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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...eople you know from your role in life as a stockbroker (or something) turn up at a session where you are modeling.This may embarrass you, or your contact, or both. There are severalpossible resp
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18 Dec, 2009 |
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9. Exercises
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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A regular course of exercises can help you gain greater controlof your body, especially for moving poses, stretched poses, and longposes. Yoga is especially helpful for long poses.
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18 Dec, 2009 |
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3. Artist's Rights
(Original Modeling for Life Drawing Manuscript/Basics)
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3. What Artists Should Consider Their Rights at Drawing SessionsA) Model will provide at least 24-hour notice, and suggest analternate, if unable to take part in a session.B) Model p
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18 Dec, 2009 |
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11. Sexual Stirrings
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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During drawing sessions, a model may experience sexualstirrings. The more intense a session is, the more likely it is thatthey will occur, as part of the overall intensification of theexperience
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18 Dec, 2009 |
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6. Length of Sessions
(Original Modeling for Life Drawing Manuscript/Practical Considerations)
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There are three basic types of modeling sessions with a group.The first is a two-hour or under session. This kind is non-tiring,but likely to be unsatisfying both for model and for artist, becau
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18 Dec, 2009 |
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5. Fashion Modeling
(Original Modeling for Life Drawing Manuscript/Basics)
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Fashion modeling differs from modeling for life-drawing for
several reasons:
A) The fashion-modeling job is better paid.
B) The career of a fashion model is usually short, because
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18 Dec, 2009 |
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4. Modeling as a Base for a Broader Career
(Original Modeling for Life Drawing Manuscript/Basics)
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Most people who model do not consider modeling their primarycareer, but model to increase their income while they are trying todevelop careers in other fields. Good modeling itself, however, is
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18 Dec, 2009 |
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2. Model's Rights
(Original Modeling for Life Drawing Manuscript/Basics)
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2. What Models Should Consider Their Rights at Drawing SessionsA) Personal respect.B) Adequate payment (about fifteen to twenty dollars an hour, in the area ofRaleigh, NC in 2010): negotiations
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18 Dec, 2009 |
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Dedication
(Original Modeling for Life Drawing Manuscript/Appendices)
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.
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14 Dec, 2009 |
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1. Who Should Model?
(Original Modeling for Life Drawing Manuscript/Basics)
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Modeling is a valuable activity for people who have, or who want,a career in any performing art. It is helpful for development ofself-image, and correction of minor physical and emotionalimbalan
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08 Dec, 2009 |
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Adding a "new" book!
(Menu)
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Dear User,Here is the beginning of a new book "Perspectives on Figure Modeling," which I started writing 30 years ago. I'll plan to post other chapters later. Please send me your suggestio
|
|
01 Dec, 2011 |
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|
Drawing People Whole:The Artist-Model Relationship
(Menu)
|
|
Western art typically distinguishes between portraiture and figure drawing. The model-artist relationship would benefit greatly - for justice, for purity, for respect, for human understanding, for com
|
|
30 Nov, 2011 |
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Two quotes, a comment and a riddle
(Menu)
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“Beauty Rules,” from a Lord & Taylor ad in the NY Times. I think that beauty knows better than to rule, because in ruling it ceases being beauty.“There is a lot of anger in love someti
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15 Jun, 2011 |
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Modeling and Sexuality (2)
(Menu)
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When I first started modeling, I did it in
answer to a dare from models and artists in my Hoboken (NJ) drawing
group that I would find it too embarrassing. I shared this worry, but I
also
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15 Jun, 2011 |
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Drawing People Whole: Portraiture vs. Figure Drawing
(Menu)
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Figure drawing is drawing people as people are; portraiture is drawing this person as this person is. Figure drawing specializes in what is generic, portraiture in what is specific. Portra
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15 Jun, 2011 |
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Modeling and Sexuality (1)
(Menu)
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Many people are concerned about modeling and sexual expression. For
many years I worried about this, even after I started modeling, and I
still recognize it, in myself and in others, as a
|
|
15 Jun, 2011 |
|
|
|
Fondness Over Time
(Menu)
|
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In the last article, I wrote that “fondness is key.” To some people we are attracted immediately; with others, fondness—even intense fondness—develops, but only over time. Initiall
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15 Jun, 2011 |
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Modeling and Life-drawing: Fondness is Key
(Menu)
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One of the things I have felt since I first began drawing people, and then modeling for them, is that I do best when I am fond of the people I am working with. I want to be able to admire them,
|
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15 Jun, 2011 |
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Modeling for Miniatures
(Menu)
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This post was written following a workshop on sculpting miniatures taught by Paris Alexander at The Artspace in Raleigh, NC in Summer 2010. “I have three of you on my kitchen table in blue.”
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14 Jan, 2011 |
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“I Feel Pretty”
(Menu)
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It seems reasonable to suppose that most people who choose to model for artists begin with a feeling that they are worthwhile to look at. This is true, but not necessarily in a way that is evide
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14 Jan, 2011 |
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Real Relationships
(Menu)
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Over the past weeks, my wife, Beth and I have watched a few movies which portray relationships of various kinds.
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14 Jan, 2011 |
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Poems to Model With (1)
(Menu)
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When I model, I like to put as much of me as I can into the artist-model relationship – so I like to put talking and/or singing as part of the mix.
|
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06 Jul, 2010 |
|
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Recognize and Remember
(Menu)
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There are two things that I want to stress in working with models, and I think that both are important. I want to recognize people when I have seen them before, and I want to remember the
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06 Jul, 2010 |
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Teaching as Delight (3)
(Menu)
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Maybe the only impossibility that is real is repetition. The only reality that is not new is newness. At the same time, “novelty” is not new, because doing something
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06 Jul, 2010 |
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Teaching as Delight (2)
(Menu)
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I have worked with many subjects, and with many students, from nursery school into graduate school. As I have studied “teaching people,” I have learned that the “who-being-tau
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06 Jul, 2010 |
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Teaching as Delight
(Menu)
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I got my first assignment as a teacher when I graduated from high school at sixteen years old and was asked by my pastor to prepare a ten-year old girl for her first communion. I wa
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06 Jul, 2010 |
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Modeling for These Artists
(Menu)
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... wrote: “I am not sure what would motivate someone to participate in a workshop program based on modeling for art as the theme.” To me, the theme is more accurately described as “mod
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06 Jul, 2010 |
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Naturists proved especially good as models
(Menu)
|
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Naturists, or people who practice a clothes-optional lifestyle, proved especially good as models (this comfort I had learned only after long practice), because we did not need clothes to make us comfo
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06 Jul, 2010 |
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Poems to Model With (2)
(Menu)
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The third poem is one I especially like to use when posing along with a person I am particularly fond of. I have used this working with several different people in different situati
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06 Jul, 2010 |
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Real Relationships
(Menu)
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Over the past weeks my wife, Beth, and I have watched a few movies which portrayed relationships of various kinds. Three of these movies are classic triumphs: To Kill a Mocking Bird,
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06 Jul, 2010 |
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Presentation
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Very often I have heard people say that to model, all you need to do is take off your clothes and be there. I think that modeling especially involves self-presentation.
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06 Jul, 2010 |
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Three Practices Together
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In my own experience, I have put three practices together: life drawing, figure modeling and giving workshops in both. I can work best with any of these when I am working with all three, c
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01 Jul, 2010 |
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Life-Modeling as a Business and an Art
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Life-Modeling as a Business and an Art: Workshop Description For many years, people who work as models for artists and for artist groups have been expected to rely on self-training.&
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29 Jun, 2010 |
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Workshop Schedule
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...sp; • Life-drawing in art
• Who “should” model • Models’ rights • &nbs
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30 Apr, 2010 |
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Introduction to the Web Edition
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30 Jan, 2010 |
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List of Illustrations
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30 Jan, 2010 |
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Acknowledgements for Original Text
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13 Jan, 2010 |
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Actual Income Calculator
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13 Jan, 2010 |
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Website History
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13 Jan, 2010 |
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Model Release Form
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13 Jan, 2010 |
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The Artist-Model Relationship
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13 Jan, 2010 |
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Model Evaluation Form
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13 Jan, 2010 |
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Preface to Original Text
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13 Jan, 2010 |
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Life Drawing
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13 Jan, 2010 |
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What if/when you decide to stop being a model...
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12 Jan, 2010 |
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Artist Evaluation Form
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11 Jan, 2010 |
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Income Calculator
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You can prepare a financial cost-benefit analysis for each session:
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09 Jan, 2010 |
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31. Practising Together
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20 Dec, 2009 |
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30. Forming a Group
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20 Dec, 2009 |
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32. Social Contacts
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19 Dec, 2009 |
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28. Finding Modeling Assignments
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18 Dec, 2009 |
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27. Interview
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18 Dec, 2009 |
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26. Portfolio
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18 Dec, 2009 |
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25. Resume and Business Card
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18 Dec, 2009 |
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22. Clothes and Accessories
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18 Dec, 2009 |
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20. Practicing Poses
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18 Dec, 2009 |
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18. Who Should Not Model
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18 Dec, 2009 |
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17. Burnout
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18 Dec, 2009 |
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16. Where Not to Model
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18 Dec, 2009 |
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29. Financial Records
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18 Dec, 2009 |
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13. Group Poses
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18 Dec, 2009 |
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10. Models and Artists: Terms of Address
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18 Dec, 2009 |
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8. Breaks and How to Use Them
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18 Dec, 2009 |
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24. Other Things to Bring
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18 Dec, 2009 |
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23. Glasses, Jewels, Body Hair, and Other Decorations
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18 Dec, 2009 |
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21. Furniture and Appliances
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18 Dec, 2009 |
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19. Types of Poses
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18 Dec, 2009 |
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Time Out!
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18 Dec, 2009 |
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15. When Not to Continue With an Artist or Workshop
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18 Dec, 2009 |
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14. When Not to Sign a Model Release
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18 Dec, 2009 |
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12. Unexpected Visitors
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18 Dec, 2009 |
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9. Exercises
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18 Dec, 2009 |
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3. Artist's Rights
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18 Dec, 2009 |
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11. Sexual Stirrings
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18 Dec, 2009 |
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6. Length of Sessions
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18 Dec, 2009 |
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5. Fashion Modeling
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18 Dec, 2009 |
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4. Modeling as a Base for a Broader Career
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18 Dec, 2009 |
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2. Model's Rights
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18 Dec, 2009 |
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Dedication
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14 Dec, 2009 |
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1. Who Should Model?
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Modeling is a valuable activity for people who have, or who want,a career in any performing art. It is helpful for development ofself-image, and correction of minor physical and emotionalimbalan
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08 Dec, 2009 |
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The Modeling "Business"
(Category List)
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Drawing People Whole:The Artist-Model Relationship
(Category Blog)
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Western art typically distinguishes between portraiture and figure drawing. The model-artist relationship would benefit greatly - for justice, for purity, for respect, for human understanding, for com
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Drawing People Whole:The Artist-Model Relationship
(Category Blog)
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Western art typically distinguishes between portraiture and figure drawing. The model-artist relationship would benefit greatly - for justice, for purity, for respect, for human understanding, for com
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Drawing People Whole:The Artist-Model Relationship
(Category List)
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Western art typically distinguishes between portraiture and figure drawing. The model-artist relationship would benefit greatly - for justice, for purity, for respect, for human understanding, for com
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About Modeling for Life Drawing
(Category List)
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Perspectives on Figure Modeling
(Section List)
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Perspectives on Figure Modeling is a book that Hugh Kilmer, the this website's primary author started writing thirty years ago in 1980.We have begun publishing the chapters one at a time here on the M
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Total 145 results found. Search for model with Yahoo!
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